Monday, February 29, 2016

                                        

                                BOOK REVIEW



             
                              INTRODUCTION
                            
                                    
One of the best-selling books in history, Paul Coelho’s The Alchemist has been translated into over 70 languages, published in 140 countries, and sold over 65 million copies. It is listed in the Guinness Book of World Records as the most translated book by a living author.
The Alchemist was originally published in 1988 in Portuguese by a small Brazilian press, and sold only 900 copies. However, once Coelho had published two more books that sold well, The Alchemist became a Brazilian bestseller.
                               
The Alchemist is a parable with mythic overtones that follows the traditional format of a quest. The basic premise of a man who dreams of treasure in a far-off place, only to discover once he arrives there that the treasure is back where he started, appears in a number of folktales from around the world, notably in One Thousand and One Nights as “The Ruined Man who Became Rich Again through a Dream.” The Alchemist concerns an Andalusian shepherd boy, Santiago, who travels from Spain to Tangier to the pyramids in Egypt in order to fulfill his “Personal Legend.”
The time period is unstated, although it appears to take place at least 100 years ago. The storytelling relies heavily on symbols, religious iconography, dreams and archetypes, and uses plain, unadorned language to deliver universal life lessons, the central one being: Your only real responsibility in life is to pursue your dream.

                                                  ABOUT THE AUTHOR
                                                 "PAULO COELHO"

                               


        Paulo Coelho was born in Brazil and attended a Jesuit school. As a teenager, Coelho wanted to       
           become a writer. He's a logical, reasonable man with a very clear vision of the world. Do you   
       actually know what it means to be a writer?" After researching, which was common for him  
       since he was a policy debater when he was in high school, Coelho concluded that a writer 
          "always wears glasses and never combs his hair" and has a "duty and an obligation never to
              be understood by his own generation," amongst other things. At 17, Coelho's introversion 
           and opposition to following a traditional path led to his parents committing him to a mental institution from which he escaped three times before being released at the age of 20.
  At his parents' wishes, Coelho enrolled in law school and abandoned his dream of becoming a writer. One year later, he dropped out and lived life as a hippie, traveling through South America, North Africa, Mexico, and Europe and started using drugs in the 1960s. Upon his return to Brazil, Coelho worked as a songwriter, composing lyrics for Elis Regina, Rita Lee, and Brazilian icon Raul Seixas. Composing with Raul led to Coelho being associated with magic and occultism, due to the content of some songs. In 1974, Coelho was arrested for "subversive" activities by the ruling military government, who had taken power ten years earlier and viewed his lyrics as left-wing and dangerous. Coelho also worked as an actor, journalist, and theatre director before pursuing his writing career.




                                                      ABOUT THE BOOK 
                                           THE SUMMARY OF THE ALCHEMIST

        The Alchemist tells the story of a young shepherd named Santiago who is able to find a treasure beyond his wildest dreams. Along the way, he learns to listen to his heart and, more importantly, realizes that his dreams, or his Personal Legend, are not just his but part of the Soul of the Universe.
Santiago is a humble shepherd whose desires are few–he wants to be free to roam with his sheep, to have some wine in his wineskin and a book in his bag. Fate intervenes, however, in the form of the recurring dream of a great treasure hidden thousands of miles away at the base of the Egyptian Pyramids. When Santiago meets Melchizedek, a strange wise man who claims he is a king from a far-off land, he decides to seek his treasure. The next day, Santiago sells his sheep and embarks to Africa to pursue his dream.
Upon arriving in Africa, though, it becomes apparent that things will not be as easy as he thought. The first day Santiago is in Tangiers, he is robbed and left completely alone, unable to speak a single word of Arabic. At first Santiago contemplates giving up and turning around. He remembers the words of the wise man, though, and decides to carry on–getting a job at a local crystal shop. After working at the crystal shop for a year, learning much about life and about his Personal Legend, Santiago earns enough money to buy a new flock of sheep and return home. At the last minute, though, Santiago decides to risk it all and join a caravan to Egypt.
 Once in the caravan, Santiago meets an Englishman who has come all the way to Africa to seek a renowned alchemist. As they travel through the desert, the Englishman tells Santiago about the secrets of alchemy. Santiago finds the Englishman's ideas to be very similar to Melchizedek's. They both speak of a Soul of the World to which we are all connected and of the necessity of following our heart's true desires or our Personal Legend. Santiago, however, prefers to learn these secrets by observing the world, while the Englishman prefers to learn from complex books. While they travel, they begin to hear rumors of a coming tribal war.

When they finally arrive at the Al-Fayoum oasis–the home of the titular Alchemist–Santiago meets a beautiful girl named Fatima with whom he immediately falls in love. He discovers that love, like the Personal Legend, comes directly from the Soul of the World. While walking in the desert, Santiago has a vision of an upcoming battle. He rushes back to warn the elders at the oasis and, when his vision is confirmed, they offer him a position as a counselor. Santiago considers staying at the oasis with Fatima, but the Alchemist finds Santiago and tells him that he will lead Santiago to his treasure.
Once again on the move, the Alchemist teaches Santiago to listen to his heart. Hearts can be treacherous, but the best way to keep them from fooling you is to listen to them intently. Almost to the pyramids, Santiago and the Alchemist are taken prisoner by a warring tribe. The Alchemist tells the tribesmen that Santiago is a powerful magician who can turn himself into the wind. The tribesmen are impressed and will spare the lives of the men if Santiago can do it. The only problem is that Santiago has no idea what he is doing. After three days of meditating, Santiago uses his knowledge of the Soul of the World to ask the elements to help him. First he asks the desert, then he asks the wind, then he asks the sun and, finally, he asks the Soul of the World. Immediately, the wind whips up, and Santiago disappears and reappears on the other side of the camp. The Alchemist takes his leave of Santiago, who continues on to the Pyramids. Once there, Santiago is attacked by robbers. Asked what he is doing there, Santiago replies that he had a dream of a treasure buried at the base of the Pyramids. One of the robbers laughs at him, and says that he has had the exact same dream, except that in his the treasure was buried in Spain. Santiago realizes that the treasure was back in Spain the entire time.
 reappears on the other side of the camp.
The Alchemist takes his leave of Santiago, who continues on to the Pyramids. Once there, Santiago is attacked by robbers. Asked what he is doing there, Santiago replies that he had a dream of a treasure buried at the base of the Pyramids. One of the robbers laughs at him, and says that he has had the exact same dream, except that in his the treasure was buried in Spain. Santiago realizes that the treasure was back in Spain the entire time.

                                                       




Paulo Coelho's enchanting novel has inspired a devoted following around the world. This story, dazzling in its powerful simplicity and inspiring wisdom, is about an Andalusian shepherd boy named Santiago who travels from his homeland in Spain to the Egyptian desert in search of a treasure buried in the Pyramids. Along the way he meets a Gypsy woman, a man who calls himself king, and an alchemist, all of whom point Santiago in the direction of his quest. No one knows what the treasure is, or if Santiago will be able to surmount the obstacles along the way. But what starts out as a journey to find worldly goods turns into a discovery of the treasure found within. Lush, evocative, and deeply humane, the story of Santiago is an eternal testament to the transforming power of our dreams and the importance of listening to our hearts.

REFERENCE 
  • "THE ALCHEMIST" Book  from library.
  • Images from " THE ALCHEMIST " from web.
 




Friday, February 19, 2016

2.REVIEW


                                           
                                                        KHADDAMA




                          
                                                       
                                                     CREW LIST
                                       
                                     Producer- P.V.Pradeep
                                     Director- Kamal
                                     Cast- Kavya Madhavan, Sreenivasan, Murali Gopy,
                                               Suraaj Venjaramoodu,    Biju Menon, Jaffer Idukki, Lena, Sukumari.
                                    Music- Bennett Veetraag
                                    Background score- M.Jayachandran
                                    Lyrics- Rafeek Ahamed
                                    Cinematography- Manoj Pillai
                                    Story- K.U.Iqbal
                                    Screenplay- K.Gireesh Kumar, Kamal
                                    Dialogues- K.Gireesh Kumar
                       

                              

                                                              THEME
                    A Desert Journey is what it was expected to be, a poignant tale of a
                 housemaid   working in the gulf. The film is a really good effort, coming from
                  Kamal, the maker of many memorable films.
                                          
                                The movie has Kavya as Ashwathy, who takes a chance
               of working in Saudi Arabia due to the untimely death of her husband
               Radhakrishnan, who was a J C B driver. She has to help her own and her husband's 
               family to tide over their deep financial difficulties. With the help of 
               Usman (Suraj Venjaramoodu, this time in a well knitted role), her husband's friend, 
               she fetches a job in a household where Usman is working as a driver. The movie 
               then follows the physical and mental abuses that Ashwathy faces in the house of her 
               sponsor. She also finds that she is not a lone case as the Ghaddama's (domestic servants)
               are all subjected to similar kind of treatment in the entire middle east. And her attempt
               to run off from the house results in her being charged for robbing jewellery
               from her sponsor's house.                       
                                       Though the story seems like a one dimensional look into the
                problem, the treatment of interspersing Ashwathy's fate in Gulf  with the character 
                of Good Samaritan social worker Razaaq Thottekad (played by Sreenivasan),
               who is in search of this missing Gaddhama, manages to keep us interested along 
               much of the narratives. You do relate to the characters since you've either heard or
               watched tales of domestic abuse and most of the time the corporeal abuse that
               Aswathy is subjected to, shatter your heart.
                                  Kavya Madhavan, who plays a meaty role of one who continues
                to take the beatings silently on a foreign land, takes much of the chances and 
               emerges with winning performances. She displays the helplessness and pain that
               this character demands with gusto. But as she is asked to maintain a distraught, 
               puzzled face much of the time; she has to limit herself from displaying variety of
               emotions.
               Sreenivasan once again is in his elements with sharp thoughtful
               dialogues. Mohanakrishnan,   Biju menon, Lena and plenty of freshers match pretty
               well with their characters. The actress who plays the Indonesian servant also
               makes a commendable act.
               The movie takes some time to make a safe landing and leisurely conventional pacing
               may not interest the new generation audience, but regular Kamal fans may not
               find this without interest.  Manoj Pillai's camera work, now in a different terrain
               excels in capturing the murkiness and vulnerability of the isolated victims
               of the desert. Benett Weetrag's couple of songs are pretty good while M Jayachandran's
               theme music is also impressive.
                                            All in all, 'Gaddama' is a quality offering from the master director,
                with a genuine upsetting story. The movie has plenty of faces that continue to
                haunt you even after the film has ended. This is a film for the discerning viewer who
                likes to go a little beyond the regular masala stereotype.


                                           RELEASE AND RECEPTION
           
                              The film was distributed by Murali Films. It had a limited release in  about thirty
                theatres in Kerala on 4 February 2011. The film was anticipated among both critics
                and cinema-goers, not only because of its theme but also due to the wide
                marketing strategy. It was the only Malayalam film released on the date and hence
                had no significant competition. The film was to be released in the Middle East on
                the same day, a big market for Malayalam films, but it was banned across the Middle
                East as the Censor Board rejected the film.
                                Even though the film had a limited release it to became a box office winner.
               The film's fiftieth day celebration was held at the Avenue Centre, Kochi on 27 March.
               The function was attended by film directors Joshiy and Sibi Malayil, producers
               Siyad Koker, Appachan and Vyshakh Rajan, writer P. Sukumar, and politician
               V. M. Sudheeran, along with the cast and crew of the film. During the function
               V. M. Sudheeran opined that Khaddama was one of the best films of recent times
               and that he had congratulated Kamal for the bold movie soon after watching it
                   
                                             CAST
             
                                                       ACHIEVEMENTS
                   
                                              The film has received various awards and nominations.
                   In the 2011 Kerala Film Critics Awards it became the biggest winner,
                   with three awards for Best Film, Best Director and Best Actress.
                   The film was selected as one of the six Malayalam films to compete for the
                   National Film Awards. Kavya Madhavan was in the final round in the Best Actress
                   category, but she lost to Mitalee Jagtap Varadkar and Saranya Ponvannan.
                   She won the Best Actress Award at the 2011 Kerala State Film Awards and
                   Amrita-FEFKA Film Awards. Gaddhama was screened in the Malayalam
                   Cinema Today section at the 16th International Film Festival of Kerala (IFFK),
                   in Thiruvananthapuram, Kerala in 2011.
                      1st South Indian International Movie Awards
  •                            Best Actress - Kavya Madhavan
                      Thikkurissy Foundation Awards (2012)
  •                            Best Actress - Kavya Madhavan
  •                            Best Female Playback Singer - K. S. Chithra
  •                            Best Male Playback Singer - Karthik
  •                            Best Lyricist - Rafeeq Ahamed
                                    Kerala state film award 2011 Best actress - kavya madhavan
                                                                                        59th Filmfare Awards South
  •                           Best Actress - Kavya Madhavan
  •                           Nominated National film award for Best Actress- Kavya madhavan.

                                                   
                                                 MUSIC AND SOUND SETTINGS  
                  
                                The film's background score has been composed by M. Jayachandran
                   collaborating with Kamal for the first time after Perumazhakkalam. The songs
                   are composed by the duo Bennet Veetraag and feature lyrics by noted
                   poet   Rafeeque Ahammed.
                                      The soundtrack album, released on Satyam Audios, contains five 
                   songs. Out of the five songs only two, "Naattuvazhiyorathe" and "Vidhuramee",
                   are featured in the film as the track "Ariyumo" was a promotional song. 
                  The soundtrack received critical praise, particularly for the melody in the tracks.
                         
                                                                   SONGS
                                                        "Naattuvazhiyorathe"  
                                                        "Ariyumo" 
                                                        "Vidhuramee"  
                                                        "Naattuvazhi"  
                                                        "Vidhuramee Yathra"                                  
                                
                                   REFERENCES
              : en.wikipedia.org/wiki/khaddama 
                               
                                   

                                                  

                                                  

Tuesday, February 9, 2016

1


                                                           
                                                          


                        PERSONAL LIFE

                    Raja Ravi Varma Koil Thampuran (29 April 1848 – 2 October 1906)
      was a celebrated Indian painter and artist. He is considered among the greatest painters
      in the history of Indian art for a number of aesthetic and broader social reasons.
      Raja Ravi Varma was born at Kilimanoor palace in the erstwhile princely state of
      Travancore (present-day Kerala) into an aristocratic family belonging to the Nair caste.
      Ravi Varma was the son of Ezhumavil Neelakanthan Bhattatiripad, a Brahmin gentleman,
      by his Nair wife Umayamba Thampurratti. His mother, Uma Ambabayi Thampuratty 
      belonged to the baronial family which ruled the Kilimanoor feudal estate within the
      kingdom of Travancore. She was a poet and writer of some talent, whose work 
      Parvati  Swayamvaram was published by Varma after her death.
                                                         Ravi Varma's father, Ezhumavil Neelakanthan Bhattatiripad, 
      was a Namboodiri Brahmin and a very learned scholar of Sanskrit and Ayurveda who
      hailed from the Ernakulam district in Kerala. Ravi Varma had three siblings, a sister
      named Mangala Bayi, and two brothers named Goda Varma (born 1854) and Raja Varma
      (born 1860). The last-named was also a painter and worked closely with Ravi Varma all
       his life.
                              In 1866, at the age of 18, Varma was married to 12-year-old Bhageerthi
       Bayi (known formally as Pooruruttati Nal Bhageerathi Bayi Thampuratty) of the royal
       house of Mavelikkara, another major fief of Travancore kingdom.The marriage, which
       was arranged by their parents in the proper Indian manner, was harmonious and successful.
       The couple were blessed with five children, being two sons and three daughters. Their elder 
       son, Kerala Varma (b.1876) was of an excessively spiritual temperament. He never married
       and eventually renounced the world, leaving home for good in 1912. The younger son,
       Rama Varma (born 1879), inherited his father's artistic talent and studied at the JJ School of
       Arts, Mumbai. He was married to Gowri Kunjamma, sister of Dewan PGN Unnithan, and
      became the father of seven children.

                                         ART CAREER  

  
        At the age of 14, Ayilyam Thirunal Maharaja took him to Travancore Palace and he was taught 
        water painting by the palace painter Rama Swamy Naidu.
      
     

     He was trained in water painting by Rama Swami Naidu and in oil painting by
     Dutch portraitist Theodor Jenson.The British administrator Edgar Thurston was significant
     in promoting the careers of Varma and his brother.He often modelled Hindu Goddesses on
     South Indian women, whom he considered beautiful. Ravi Varma is particularly noted for
     his paintings depicting episodes from the story of Dushyanta and Shakuntala, and Nala
     and  Damayanti, from the Mahabharata. Ravi Varma's representation of mythological
     characters has become a part of the Indian imagination of the epics.He is often criticized
     for being too showy
     and sentimental in his style but his work remains very popular in India. Many of his
     fabulous  paintings are housed at Laxmi Vilas Palace, Vadodara.
                               

          SPECIALITIES OF RAJARAVI VARMA WORKS 

              1.  His works are held to be among the best examples of the fusion of European
                 techniques with a purely Indian sensibility. While continuing the tradition and
                 aesthetics of Indian art, his paintings employed the latest European academic
                 art techniques.

              2. He was notable for making affordable lithographs of his paintings available to
                the public, which greatly enhanced his reach and influence as a painter and public
                figure. Indeed, his lithographs increased the involvement of common people with
                fine arts and defined artistic tastes among common people for several decades.

              3. Most of his oil paintings are based on Hindu epic stories and characters.
              
              4.Many of his oil paintings are classic and his unique Indian style has later influenced 
                 artists and designers worldwide. Here we have displayed pictures of some of the 
                 classic oil paintings and oleographs of Raja Ravi Varma. 
           
              5. He is often criticized for being to showy and sentimental in his style but his work 
                   remains very popular in india.

                                  RAJA RAVI VARMA PRESS 

                  Advice of the then Dewan (Prime Minister) of Travancore, T. Madhava Rao,
             Ravi Varma started a lithographic printing press in Ghatkopar, Mumbai in 1894 and 
             later shifted it to Malavli near Lonavala, Maharashtra in 1899. The press was managed
             by Varma's brother, Raja Varma. In 1901 the press was sold to his printing technician
             from Germany, Mr. Schleicher and later closed down after it was gutted in an 
             accidental fire. The oleographs produced by the press were mostly of Hindu gods
             and   goddesses in scenes adapted mainly from the Mahabharata, the Ramayana and
             the Puranas. These oleographs were very popular and continued to be printed in 
             thousands for many years, even after the 1906 death of Ravi Varma.

                          HONOURS

               
         1.   Varma's paintings were also sent to the World's Columbian Exposition held in Chicago
            in 1893 and he was awarded three gold medals.
            
        2.    In 1904, Viceroy Lord Curzon, on behalf of the British King Emperor, bestowed upon
              Varma the Kaisar-i-Hind Gold Medal.

         3.  A college dedicated to fine arts was also constituted in his honour at Mavelikara, Kerala.

         4.  Raja Ravi Varma High School at Kilimanoor was named after him and there are many
             cultural organizations throughout India bearing his name. In 2013, the crater Varma
            on    Mercury was named in his honor.
         5. His vast contribution to Indian art, the Government of Kerala has instituted an award
             called "Raja Ravi Varma Puraskaram", which is awarded every year to people who
             show excellence in the field of art and culture.

                         

                           IMAGES OF MAJOR WORKS 

                        

                               

                                         REFERENCES

                *en.wikipedia.org/wiki/Raja_Ravi_Varma
                *www.cyberkerala.com/rajaravivarma

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